Disclaimer: While
Juvenile Hell is technically Mobb Deep’s first album, most hip hops fans
refer to the Infamous as the Mobb’s debut album. So, for this article, that means Hell on
Earth is Mobb’s second album.
“Yo,yo,
you know how we did it on the Infamous Album, right? Aight, we gonna do it again son.” - Prodigy
For
many hip-hop artists, the debut album is a compilation of a lifetime of verses,
hooks (and even beats). Artists—especially
during the 1990s—had to have a laser focus on their debut album because
competition was fierce. Emcees and
hip-hop purists were into lyrics and creativity. So, you could not be wack or copy someone
else’s style. And during this period,
the end-all-be-all for an artist was the often-elusive record deal. Record deals were hard to come by, and often
times, record labels had rejected these artists many times before finally
signing them to a record deal. Artists
also knew that they might only have one chance to become a “star.” Thus, when an artist finally released a debut
album, it likely represented the best that artist had to offer. There were many incredible debut albums in
the 1990s. The list is long, but I’ll
name a few: Illmatic, Ready to Die, Reasonable Doubt, It’s Dark and Hell is
Hot, Black on Both Sides, Doggy Style, Enter the Wu Tang, and many
others. But how do you follow-up a
classic debut album?
“Industry
Rule number four thousand and eighty, record Company people are shady.” – Q-
Tip
Music
is a multi-billion dollar business. It
is unsurprising that record companies want to ensure a favorable return on
their investments into an artist’s career.
Three common pitfalls lead to a bad second album. First, assuming the debut album
was good (otherwise there probably would not be a second album), record labels
pressure artists to work on a second album quickly, so they can capitalize on
the success of the first album. The record
company often won’t care about an artist’s creative process. This can lead to subpar music. Second, some artists (often
pushed by the record label) decide that after a successful debut, they want to
display their range as an emcee. For
some artists, this can be a good decision.
For other artists, however, this can be a career-killer. Whether fair or not, some core fans do not
want their favorite artists to change, or show incredible growth. What they really want is a repeat of the
debut album with new beats, hooks, and lyrics.
Lastly, artists place more pressure on themselves
following a successful debut album. In
doing so, they can miss that “it” factor they had when creating the debut
album. This can lead to a letdown. Anyway, let’s talk about one of my favorite
groups, Mobb Deep, and their “sophomore album.”
Mobb
Deep is a legendary group. There was a
time in hip hop that Havoc and Prodigy (R.I.P.) were arguably the best group in
the game. A few quick thoughts about the
Mobb. During their career they: (1) were
at the forefront of the infamous East Coast/West Coast Beef; (2) were
consistent; and (3) stayed in their lane.
The
East Coast/West Coast Beef was an ugly time in hip hop. For casual hip hop listeners, the beef starts
and ends with Biggie and Tupac. The Beef,
however, was much deeper and involved other hip-hop artists, gangs, goons, and
record labels. Mobb Deep was one of the
first groups to go on wax with a song in opposition to Tupac. I remember watching the video for Capone N
Noreaga’s song, LA LA (featuring Mobb Deep). CNN and Mobb made this song in response to
Tha Dogg Pound’s (featuring Snoop Dogg) record New York New York. In that video, Tha Dogg Pound stomped through
New York and kicked over New York skyscrapers (very disrespectful!). In Tupac’s famous battle track, Hit Em Up,
he fired shots at Mobb Deep. Mobb Deep
did not back down and had some things to say on Hell on Earth.
You
cannot discuss Hell on Earth without at least mentioning the Infamous. The Infamous is one of the best hip-hop
albums of any era. It was a classic when
the Mobb released it in 1995. It remains
a classic. As good as that album is, I
love Hell on Earth just as much.
Context
is key, so I want to provide a little information to help you understand my
perspective on Hell on Earth. I
was fascinated by hip hop in the early 1990s, but because I was young, I had
not fully developed my appetite for hip hop music until I was 14 years old,
which happened in 1996—the same year Mobb Deep dropped Hell on Earth
(November 19, 1996). What a time to be a young hip hop fan! In my opinion, 1996 was the best year in hip
hop. That summer, I bought (well, really
my mom bought, but you get the point) Reasonable Doubt, It was Written
and Atliens. Now that I think about
it, summer 1996 is the time when I fell in love with hip hop. As a young man from the East Coast, I was
fascinated by the East Coast/West Coast Beef, which coincidentally occurred
during this time. Tupac was murdered in
September 1996, so the stakes were high for Mobb’s release in November. I remember wondering if the Mobb would diss
Tupac?
Now,
imagine being in the car with me (and my mom) on the way to the record store in
1996. Ironically, I remember the weather being cloudy and cool on this day. We finally get to the store to purchase the album. I
bought the CD, and then went home. I sat
down in my room (with all the lights off) so I could listen to the music on my
Discman without distractions. I was curious as to how Mobb Deep would start the album. Would they declare war on the West Coast? An album's first song/introduction usually sets the tone for the album.
When
I pressed play, I heard a sinister beat and Prodigy talking shit, just before P
and Hav began rapping. I knew the album
would be special. Then, track two, Drop a Gem on Em,
began playing on my Discman. After a few
bars, it was clear Mobb Deep had not backed off of their stance against Pac. In listening to just two tracks, you knew Hell
on Earth would not be a letdown album.
My
favorite tracks on this album are Nighttime Vultures, G.O.D. Pt. III, Hell
on Earth (Front Lines) and Give it Up Fast.
Hell
on Earth
is a classic album. Mobb Deep did not
fall into any of the pitfalls outlined above.
The album flowed like a movie. Beginning with the title and flowing into the
tracks (scenes). It was clear that Mobb
Deep put some time into this album, which makes sense. Remember: the Infamous was released in April 1995, more a year before Hell on Earth was released. Mobb
Deep stuck to the script on this album, which was smart. Hardcore Mobb Deep fans were not looking to see the Mobb show their hand
at expanding their range. They (we) wanted
sinister beats, dope lyrics and more “dun language.” Simple.
We wanted a continuation of the Infamous, which is exactly what
Mobb Deep delivered. Lastly, if the Mobb
felt any pressure in making Hell on Earth, it did not show through in
their finished product. Hell on Earth
is a gem. If you have not listened to
the album, or even if you have not listened to it lately, pull it up on
Youtube.